BETWEEN THE SEA AND ME

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PangeaSeed: Between the Sea and Me

Between the Sea and Me invites artists and audiences to reflect on personal connections to the ocean through themes of memory, emotion, place, future generations, and environmental stewardship.

Rather than approaching ocean conservation through a single issue or prescribed message, the exhibition centers on intimate, imaginative, and lived relationships with the sea.

The show features a collection o original works created specifically or the exhibition by Pacific Northwest and regional artists, co-curated with Seattle-born artist and longtime PangeaSeed collaborator Stevie Shao.

In addition, a Printed Oceans pop-up showcase features selected fine art editions from PangeaSeed’s international artist collaborations.

Tre Packard and Akira Biondo of PangeaSeed

BETWEEN THE SEA AND ME GALLERY

Ali Bruce "High Tide and the Floating Tree"
$1,000.00

12 × 12 × 1 inch Original wall sculpture of painted wood cuts with acrylic and pine

Ali Bruce: The ocean has shaped me from a sharp rock into a soft pebble. There’s a spot on the shore I go to when I need to feel lighter. I float in the waves with my ears in the water and the noise of the world becomes silent, the thoughts in my head are released for a moment. When I’m floating in the salt water I feel less pain in my body, it makes me feel small in a world that can feel overwhelmingly large. Watching the tide become high and the strength of the waves rolling in reminds me of strength without will, to be naturally powerful and guided by the moon. The oceans shows us that we’re all the same when we’re connected to the water and the sky.

Calvin Wong "Gone, Fishing"
$888.00

14 inch tall Ceramic sculpture

Calvin Wong: What does the ocean give us? Honestly, it gives us an excuse to slow down and just sit with our own thoughts for a bit. There’s something about being near that much water that forces you to drop the rush, clear out the noise, and just exist. Beyond everything it holds, the ocean gives us room to take a breath and let our minds drift momentarily. It’s a space where time moves a little differently, a reminder that not every moment needs to be productive, and that sometimes just showing up, tuning in, and watching the water move is the whole point.

Heidi Tullmann "Deep Blue Cosmos"
$555.00

12 × 12 × 2 inch painting on canvas

Heidi Tullmann: The ocean is our earthly cosmos: one of close relations and deep holding. Just like celestial bodies, the ocean reminds me how small I am. She feels like a great equalizing force; an inevitable destination; a collective organ that reflects the health of our shared body. She turns trash into treasure and lends a wise ear to our deepest wonderings and fears. She doesn't speak the answer, but somehow holds all the mystery and welcomes us to touch its edges >>> I imagine a future where the ocean is listened to and prioritized by humans, given rest and space, asked permission from, and collaborated with instead of extracted from and dumped into.

Austin Picinich "Homeward Bound"
$600.00

12 × 12 inch diameter Acrylic painting on cradled wood panel

Austin Picinich: The ocean gives us proof that home is worth fighting current for. Salmon migrate home from the Pacific to the Puget Sound, through the Ballard Locks, and back to their exact birth stream to spawn. "Home" is not just ours - we share it.

I grew up along Juanita Creek, one of the spawning streams that feeds Lake Washington. Thousands of salmon once called Juanita home. After all these years, several streams have already met local extinction. Like a bridge over troubled water, these once-wild waterways now flow below paved roads… constrained by culverts, slip slidin’ away under decades of development and apathy.

That’s when I started my Save Our Salmon (S.O.S.) mural series. So far, I’ve painted 3,000 sq ft of murals along four of Lake Washington’s salmon-spawning streams. My murals paint messages to “S.O.S” along Juanita Creek, Denny Creek, McAleer Creek, and Thornton Creek.

My porthole is a portal into a sockeye swimming home. Homeward Bound is a direction - but it’s also about what’s Bound to happen to their Home, if our path continues.

Jesus Lopez "The Shelf Life of Plastic"
$650.00

12 × 12 inch painting acrylic and oil on wood panel

Jesus Lopez: The ocean is essentially the lifeline to the planet and every ecosystem inhabiting Earth. Not only do they produce around half of the world’s oxygen, but they’re an integral part of absorbing heat trapped by greenhouse gases. I hope for a future that relies less on extraction and focuses on a stewardship that prioritizes the health of our aquaculture. As an artist that works with plastic I often think about human reliance on the material, and how little the average person considers the shelf life of non-recyclables. We should take a moment to consider our consumption of these single-use products and how they not only impact our future, but the overall well-being of other life inhabiting this planet too.

Kerry Sutton "As The Ocean Cries Out"
$950.00

12 × 12 × 2 inch Mixed Media: recycled shoeboxes, recycled plywood scraps, on wood canvas

Kerry Sutton: As I formed together each piece of hand-cut recycled shoebox, I sought to conjure a bold and emotive interpretation of our relationship with the ocean, consumption and how they both interplay to create a sustainable future. We owe the ocean an interrogation of our ideas, behavior, what and how we consume, and the impact therein. As the power and fragility of the ocean cries out for our thoughtful and intentional response, I created this piece to highlight this delicate interplay and the power we have to sustain. With intention, thought, and creativity, we can amalgamate the everyday, easily discarded items of our lives (such as shoeboxes and wood scraps) into vessels of sustainability.

Graham Franciose "Even Giants Must Sleep"
$900.00

12 × 12 × 1.5 inch watercolor painting on panel mounted cotton rag

Graham Franciose: The ocean gives us an enormous source of wonder and awe. We know so little of the underwater world that covers over 70% of our planet. There are so many magical things happening below the surface that most of us will never experience, like the way giant Sperm Whales sleep hanging vertically, suspended just below the surface, which was only discovered 22 years ago. Above the surface, another unbelievable phenomenon, the Albatross, which spends 85% of its life at sea, can also sleep while flying. Both of these animals utilize "unihemispheric slow-wave sleep," which allows one half of their brain to sleep while the other remains awake. Who knows what else will be discovered in years to come.

Craig Cundiff "As Above (Cajun Navy)"
$1,500.00

12 × 12 × 2 inch Mixed media- color pencil, acrylic on cradled panel.

Craig Cundiff: In 2006, Hurricane Katrina ravaged my hometown of Chalmette, Louisiana. Witnessing the power of the sea wipe all of my childhood memories off the map was life changing. One of the biggest lessons I carry with me today was molded by seeing how people across an entire community handle grief differently. The altruistic and the schemers. The affected and the effective. This piece honors the people of Chalmette using whatever they had, in this case a Sea Doo, to search for their neighbors in the aftermath of the storm.

Jeremy Nichols "Puffers"
$1,200.00

12 × 12 inch painting acrylic on canvas framed

Jeremy Nichols: The ocean gives us all life. It's an incredible universe within our own planet that we have yet to fully understand let alone explore. And unfortunately at our current pace, the future is not looking so bright. Growing up in Ohio, I did not have much access to the ocean. My first experience snorkeling was in Okinawa when I was visiting my family, it changed everything for me. It was my first time seeing a coral reef and a puffer fish, still one of the most amazing moments that I'll never forget. That day forward, the ocean had a profound influence on my art work and still plays a huge role. We owe the oceans everything, at the very least we can start showing it some respect.

Kenichiro Chaffee "Tide Pools"
$750.00

12 × 12 × 1.5 inches Gouache painting on wood panel

Kenichiro Chaffee: There are few better feelings than walking along the beach and stumbling upon tide pools. A true gift from the ocean, tide pools give us a glimpse of utopia. Despite a harsh and constantly changing environment from the moon’s gravitational pull, each pool creates a tiny jewel box of diverse characters with their own specialized functions and skillsets. These microcommunities support each other, provide housing for one another, and operate in harmony with one another.

Imagine if us humans spent our time (and tax dollars) building communities that were as diverse, beautiful, and functional as tide pools. In the US, we constantly build massive suburban sprawls without adequate housing, public transportation, or access to fresh food. If instead we operated more like a tidepool, where we value our neighbors, our community, and our relationship to nature, we could really thrive.

There are lessons to learn within the cyclical nature of tidepools as well. The ebb and flow of the tides are out of the pool’s inhabitants control, they must simply react and adapt. There are times for feeding and exploring and there is a time to slow down and rest. The tide cycle is like our seasons on hyperdrive. In our late stage capitalistic societies, we often forget to slow down, to rest, to take time to look inward. We are encouraged to keep working, keep consuming, and keep grinding. However, much like how a barnacle shuts its doors to the outside world when the tide recedes, we also need to make time for ourselves to rest and recharge during the darker, colder months of our year.

Ultimately tidepools give us a place to reflect on the power of community. There is no individualism in tidepools. There is no every man for themselves mentality. It is everyone working together to create harmony in a chaotic and ever-changing world.

Erica Rose Levine "Old Man and the Sea"
$950.00

12 × 12 inch oil painting on wood panel

Erica Rose Levine: Growing up in Rockaway we would spend every summer day at the beach. The ocean was a source of inspiration, reminding me of the beauty, strength, and wonder of nature. Beyond its beauty, the ocean gives us life by producing much of the oxygen we breathe, providing food for billions of people, and helping regulate Earth's climate. Protecting the ocean means protecting our planet's greatest source of life. We owe it to ourselves and all of the animals to make sure to take better care of the ocean.

David Rice "Fish Market"
$850.00

12 × 12 × 2 inch painting acrylic on canvas

David Rice: Our ocean is a bountiful resource for all living creatures. While it provides so much for us, overfishing can cause great harm. Overfishing empties the sea faster than fish can breed. Removing single species breaks the natural chain of predators and prey, harming the entire ocean environment. Additionally, many commercial fishing vessels use nets and trawling equipment which can be very harmful to the habitat. It is important for us to practice sustainable fishing to protect marine life, prevent habitat damage, and keep the ocean balanced. A healthy ocean leads to a healthy planet.

Jeff Sheridan "Suspended Shore"
$1,200.00

12 × 12 inch acrylic painting on routed panel

Jeff Sheridan: I grew up in South Florida on boats and underwater. Long before I understood ecology or climate change, I learned that the ocean wasn’t a backdrop. It was home. It gave me wonder, perspective, and an early understanding that life exists in relationships rather than in isolation. Mangroves were always there, quietly holding everything together.

As I’ve gotten older, I’ve realized how easy it is to mistake something resilient for something permanent. We build over it, pollute it, and expect it to keep absorbing the cost. This painting imagines the mangroves as a human hand because I don’t believe nature begins where we end. The line between caring for the ocean and caring for ourselves is much thinner than we like to believe.

If we owe the ocean anything, it’s humility. We should leave it with the same sense of gratitude and responsibility that we bring to the people and places that raised us. Every act of care is, in the end, an act of self preservation.

Ken Flewellyn "Excursions II"
$1,000.00

12 × 12 × 1.5 inch oil painting on canvas

Ken Flewellyn: In the long run the ocean will always maintain it's majesty. Even in the turmoil that it currently faces, there are things eternal that will stand the tests of time. I dream of future civilizations exploring, observing the impact of actions/inaction, and learning the mysteries that we have yet to discover. As we know evolution will find a way to will adapt to changes whether that means water temperature, acidity or food scarcity. The ocean is resilient. Hopefully future residents will better understand how to care for it.